✎ YUKOKI

Playlist

1 • hope's theme ~ final fantasy xiii ost
2 • winter ~ daughter
3 • yeul's theme ~ final fantasy xiii-2 ost
4 • numb ~ sia
5 • string of blinking lights ~ paper moon
some of us are wild ones;
— the konoha bitches;

anti-christ:

and here is the fearsome S-class ninja Uchiha Itachi running after a chicken

HOLY SHIT THE ENDING TO THE CHAPTER HOLY FUCK I’M GONNA CRY

oh, and happy birthday sasook <3 i may cook up a doodle later. we’ll see

"y’all think i’m covering my face because of tradition but no these idiots are kicking up all the dust into my face and i’d rather not the cause of my death be killed by dust thanks to my own team

Uchiha Sasuke + growth

king-of-excuses:

Happy birthday to Lee-! (ノ´ヮ´)ノ*:・゚✧
Last minute drawing but wHO CARES I STILL MADE IT IN TIME—

“Why is femslash the smallest genre in the world of fanfiction? Why is femslash the most underrepresented relationship type by a sizeable margin? More importantly, why is it that almost all femslash writers are queer women? Male slash pairings are written by straight women, queer women, and even some men (I say “even” because men are rarer than a two dollar bill in the world of fanfiction) and they’re read by a mostly female audience. Femslash has a completely different ideology, because it’s almost exclusively written and consumed by the community it portrays. Unlike a straight girl writing about two boys having sex (and I guarantee that they’re two conventionally attractive white boys whose female love interests have been deemed either worthy of death or asexual by the fandom), femslash is written by those whose identities and personal narratives are reflected in the stories themselves. Maybe the writer of that erotic scene hasn’t had sex with a girl yet, but damn, she has thought about it a lot. That queer author writes two girls falling in love even if they’re straight in the original work because two girls falling in love means something to her and to so many people like her, and it’s important that she sees herself in a piece of media whose canon forgets she exists. One of the great frustrations of LGBTQ media is the fact that so little of our representations end up coming from LGBTQ-identified creators, and thus we see inaccurate portrayals with limited diversity. Femslash exists because we were sick of being told we didn’t exist, so we wrote ourselves into their stories.”

- excerpt from a very long piece I’ve been working on for autostraddle about femslash and why there’s so little of it (and why we need to make more of it NOW) (via teenboypopstar)